Traitors Blade by Sebastian De Castell – A Great Adventure.


I recently read “Traitors Blade” and it really was a most terrific adventure! In a while you can see my review and how you can get 30% off your very own copy! First though I caught up with author Sebastien De Castell and asked him a few questions about the book. Here is what he had to tell me.


Tell us a little about where the story came from?

Like most novels, Traitor’s Blade doesn’t come fully-formed from any one single place. The first scene in the book – three once idealistic swordsmen realizing their lives have been in vain – was always the starting point of the novel for me. The thought of devoting oneself completely to a sort of code of conduct only to discover that it has completely and utterly failed felt like a story that would intrigue me in any genre.


So that’s where Traitor’s Blade (originally inarticulately titled ‘Three of Traitors’) began. But from there, every element in the story came from a variety of experiences and influences. The idea for the Greatcoats – these sword-wielding travelling magistrates – came from reading about the English itinerant judges in the Middle Ages. These were judges appointed by the King and sent on year-long circuits of towns and villages where they would hear cases and render verdicts. I wanted to take that idea and explore what would happen if these travelling magistrates had to deal with local nobles who might not like their verdicts and might decide it was easier to kill off the judge than pay the fine.


The coats that the characters wear came from an actual greatcoat my brother gave me. I was working as an actor and kept finding myself on night shoots, freezing my butt off waiting to for the next shot and I discovered that this coat was perfect – it kept me warm, had tons of pockets large and small where I could hide things I’d need between takes, and felt like something I could live in if I had to. That gave me the idea for the greatcoats that Falcio, Kest, and Brasti wear – a combination of mantle of office and flexible armour perfectly suited for a travelling duelist. Now if I could only just find one like theirs for myself…


The fight scenes are magnificent – as a fight choreographer, did that make it easier to bring them alive on paper or harder?


That’s a good question. I think it made it easier but not for the reasons people might think. A great action scene isn’t about describing every move and weapon. I personally don’t enjoy reading fight scenes where the author is determinedly showing off how much historical knowledge he or she has. Violence in and of itself is actually pretty boring.


But my time choreographing sword fights for the theatre taught me something that I think is vital: every fight has to be its own story. It has to have a beginning, middle, and end. Each one has to be distinct and meaningful, and every movement has to be a reflection of the character. I love writing Falcio’s fights because he sees each one as a problem to be solved – he tries to intellectualize the battle and find some ingenious way to survive. But his own past sometimes comes to the fore and takes him over. In those moments, all of his skill and intellect disappears, replaced by rage and recklessness, and we realize he’s not the man he thinks he is.


Ultimately the writer’s job isn’t so much to meticulously choreograph the fight – it’s to give the reader the bits of insight that enable them to build the scene in their minds. In that sense, it’s really the reader who choreographs the fight and the author simply gives them the tools to do so.  One of the most dramatic fights in Traitor’s Blade doesn’t happen on the page at all: Falcio is about to face a smiling armoured man with an axe – a fight he doesn’t think he can win – when the tragedy of his past comes crashing down on him. We shift from the fight into that horrific memory, and when we come back, Falcio’s opponent is dead on the ground and he himself is in a state of shock. At no point is a single move of that fight described but when I ask readers about it they remember it happening in detail.


Who are your writing heroes?


You know, it’s a funny question because I tend to separate the writer from the book. When I first read Moonheart by Charles de Lint as a teenager I was simply blown away by this fantastical world he created inside of our own. Raymond Chandler’s The Big Sleep is still one of the best noir novels I’ve read. I see some of that style inside of Roger Zelazny’s classic work, Nine Princes in Amber and both of those voices have had an influence on me.


But I think that a hero (writing or otherwise) is someone you want to model yourself or your career after. Looking at it from that standpoint, I think Neil Gaiman would be a writing hero to me. He’s created so many great stories, across multiple mediums, and always does it with his own style and voice without chasing trends. When I’ve heard him talk, he seems to genuinely like his audience and his peers. Most importantly, he seems like he’s having fun along the way!


I’ve definitely joined the greatcoats – are you allowed to tell us a little about what’s next?


I can tell you that there are four books in the Greatcoats quartet and that the second is with my publishers getting ready for editing. Books 3 and 4 are plotted, and at about four o’clock in the morning a few weeks ago I suddenly woke up, walked into my office and typed the opening page of the third book.


The second book is tentatively entitled, Greatcoat’s Lament, and it takes our heroes on a darker and more perilous journey than they’ve faced before.  Falcio will come to question his idealized memories of King Paelis, Kest will pay the price that comes with wanting to be the greatest swordsman in the world, and Brasti will discover he can no longer get away with simply playing the charming rogue. Valiana, Aline, and the Tailor all take more central roles in the second book than they did in the first, and the clash between their different visions of right and wrong will shake Tristia’s very foundations.


Although The Greatcoats is a four-book series, I’m committed to ensuring that each book is a complete story in and of itself. I was determined with Traitor’s Blade to end the novel at a point that would give readers a satisfying conclusion rather than simply a cliffhanger, and I’ve worked very hard to do the same with Greatcoat’s Lament, so I very much hope that readers will enjoy it.

Thank you so much for taking the time!



Falcio is the first Cantor of the Greatcoats. Trained in the fighting arts and the laws of Tristia, the Greatcoats are travelling Magisters upholding King’s Law. They are heroes. Or at least they were, until they stood aside while the Dukes took the kingdom, and impaled their King’s head on a spike.
Now Tristia is on the verge of collapse and the barbarians are sniffing at the borders. The Dukes bring chaos to the land, while the Greatcoats are scattered far and wide, reviled as traitors, their legendary coats in tatters.

So here we have the start of a brilliant new series, a glorious adventure of a novel with terrific characters, and a sprawling magnificent  story which gives a truly addictive reading experience.

It put me in mind of The Three Musketeers but with a wonderful humerous yet ironic undertone, some laugh out loud moments (Falcio and gang are both driven yet realistic and this leads to some extraordinarily witty and whimsical exchanges) and a whole load of action of the swashbuckling variety that will have you on the edge of your seat.

Intrigue,  betrayal, redemption, sword fighting, mystery, mayhem, you name it you will probably find it somewhere in the pages. The story romps along at a tremendous pace, holding you in its thrall until you  get to the last moments which WILL leave you wanting more.

The mythology and world building are perfectly constructed, I loved the simple flowing yet beautifully written descriptive prose and I fell in love completely with the characters and the world they inhabit…I truly can’t wait to find out whats next.

Brilliantly concieved, cleverly executed and a whole bucket of fun, this will be one of the most entertaining novels you read this year.

If you would like 30% off, simply become a Greatcoat for a day – find out how here!

What is YOUR GreatCoat name? Do come back and tell me!

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Meet Sarah Hilary – And Marnie Rome…


So, what seems like an AGE ago now, last summer, I was sent a debut crime novel as an advance reading copy – that being “Someone Elses Skin” by Sarah Hilary. I read it in great big gorgeous chunks and had to agree that it was certainly going to be one of THE crime debuts for 2014. And now the day is here when you can all get your hands on a copy and I would highly recommend that you do. I caught up with Sarah to ask her a few questions and here is what she had to tell me.


Tell us a little about how Marnie started to form in your mind.


Marnie made her first appearance in the book I wrote before Someone Else’s Skin. She wasn’t the main character (it was someone else’s story), and the first time she appeared she was undercover, wearing biker boots and a black wig. So she was intriguing from the start. In that story though, she was the steady anchor – a Detective Inspector but one without any secrets, or so I thought. When I started Someone Else’s Skin, I began to think about what secrets she might be keeping, and I became a bit obsessed with that. And with her. So, she came fully formed, so to speak, but with her lips sealed. I’m only just scratching the surface of her character in Someone Else’s Skin. In the next book, we learn a lot more about her, but it’s still just the tip of the iceberg. She’s going to keep me on my toes as a writer, I can tell that much.
Domestic violence is an emotive subject, was there a lot of research involved?


Yes, and no. Obviously I wanted to do justice to the subject, to tread with care and to be informed. But I write fiction, there’s no pretence about that. I didn’t want to write a polemic either, although my research left me quite shaken and angry on behalf of the people who’ve suffered from domestic violence. I read a lot of first person accounts and I thought a lot about how the media portrays violence of this kind and how society reacts to it. What fascinates me is the silences between what’s known and what’s talked about. The gaps in our understanding, if you like. I wanted to write something that reached into those gaps, and which made a noise about the things to which we’re supposed to turn a blind eye and a deaf ear. I wanted to catch readers off-guard, make them think about the issues from a fresh angle. It makes me angry when I read a book so full of violence that it makes me numb. I hate to be numb about things that matter. So I wanted to write a story that unsettled readers, yes, but more importantly one that touched them. Research can only help with that to a certain extent; really it’s about crafting characters and a plot that hooks the reader and makes them care enough to keep turning pages even when the subject matter is disturbing.

Can you tell us a little about what is next for Marnie?


The second book in the series explores new territory, and introduces a character from Marnie’s past who is really going to shake things up for her, professionally and personally. We’re going to learn about the kind of person she was when she was sixteen, and the ways in which she’s changed (and the ways in which she hasn’t). They say that writers should put their heroes and heroines up trees and throw stones at them. Well, in the next book, Marnie might wish she was up a tree being pelted with stones, because I’ve been really very mean to her. But she’s come out fighting. Which is just as well, given what I have planned for her in book three…

Favourite place to read.


In a window seat behind a heavy curtain, like Jane Eyre. Failing that, curled by the fireside.

Kindle or Physical book?


I’ve yet to try a Kindle. I’m not a technophobe, I’m just happy with the real thing.

One thing you wish you were good at but are not.


I wish I could speak all the languages – or even just one of them – that Someone Else’s Skin is being translated into. I’d love to understand Sarah Lund, for example, or to chatter in Italian… Maybe it’s not too late to learn..?


Thank you so much Sarah!


Meet DI Marnie Rome. Several years ago she suffered a tragic loss to a violent act…since then she has struggled to come to terms with it despite her protestations that she is fine. When she walks in on another act of violence at a local womens shelter a journey begins for her and those around her that will take your breath away…..

This was a heart stopping rollercoaster of a ride from start to finish. Brilliantly imagined, totally convincing and utterly compelling you will live and breathe every moment of this terrific debut novel…not only that but it will give you cause for reflection on some difficult issues.

Taking Domestic Violence as its core Ms Hilary has crafted a tale of great depth and cleverly written contrasts, each character playing their part in the whole with aplomb. Some of the best characters in the book will only appear peripherally and yet each time they do they leap off the page. Marnie herself is complex yet caring – in her determination to protect these women she often stumbles – but from the start you know she will always get up again and do the right thing. Her “sidekick” if you like, Noah is equally well drawn. He comes from a very different place to Marnie and they are a perfect literary partnership. The women you will meet in this novel are brave yet scared, strong yet weak – some of what you read will be hard to take but important to hear. The very real problems faced by anyone trying to help these victims come to terms with their past is also given a great part in here through yet another amazing character.  A very real issue treated sensitively and realistically buried in the heart of an almost perfect crime novel. Very clever indeed.

I can’t talk about the plot in depth because almost anything to be said about it would be heading into spoiler territory, this is Marnie’s journey very much so – I WILL say that it is tightly knitted, complex and at times surprising – and the almost perfect prose means that this is a book to be savoured. I am in awe.


Finally thanks to the author and to the publisher for sending me an advance copy of this book to review.

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Liz Currently Loves…The Ties that Bind by Erin Kelly.


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Release date UK: 8th May 2014

Thank you kindly to Hodder and all involved for the advance reading copy.

Could a soul, once sold, truly be redeemed?

Luke is a true crime writer in search of a story. When he flees to Brighton after an explosive break-up, the perfect subject lands in his lap: reformed gangster Joss Grand. Now in his eighties, Grand once ruled the Brighton underworld with his sadistic sidekick Jacky Nye – until Jacky washed up by the West Pier in 1968, strangled and thrown into the sea. Though Grand’s alibi seems cast-iron, Luke is sure there’s more to the story than meets the eye, and he convinces the criminal-turned-philanthropist to be interviewed for a book about his life.

Yes I know its early to start talking about this one but when it dropped through my letterbox what did you expect exactly? That I would wait until nearer publication day? Pfft. You don’t know me very well…I mean for a start its Erin Kelly, add to that its me and my chronic impatience. So just to start this review (babble?) off lets take a “previously on” type look at things.

My favourite book of its year was “The Poison Tree” a book that haunted my soul long after reading, had one of my (still) most loved characters, Bohemian free spirit Biba and is also in my top 5 “Most Satisfying Endings Ever” list. Most. Satisfying. Ending.Ever. Then she followed that up with “The Sick Rose” (Also known as The Dark Rose) this time making me loathe some characters so deeply that I wanted to spit at them – in a good way of course, I was compelled to read the entire thing, and whilst it is not my favourite of hers it got me on the same emotional level. Then came “The Burning Air” which I have spoken about frequently, is in my hall of fame, and gave me that jaw dropping, throw the book on the floor, immediately re-read several chapters moment that doesnt happen to me often.

Each one has a high standard of writing, brilliant psychological insight,  all giving an addictive reading experience but something a little different each time. This author doesnt stagnate having found a formula that works, she pushes the boundaries and tries out new things, whilst still, well, having found a formula that works!

So we come to “The Ties That Bind” . Here we meet True Crime Writer Luke who has found himself entangled in an obsessive controlling relationship – to escape from those bonds he flees to Brighton and stumbles upon a crime story that could make his career. But at what cost?

Its interesting really when I try and analyse the reading experience – it is again a different kind of read in a lot of ways from each of the others, compelling as ever, magical storytelling with a fascinating ebb and flow of twists and turns – but the ambience of it, as always, lies just below the surface. You just sense there is danger coming from somewhere for Luke but you are not sure where.

Its because the characterisation is top notch. Absolutely.  Joss Grand, a character I fell madly in love with, is intelligent and scary,with an extremely intriguing edge to his personality. Luke himself is driven yet naive in a lot of ways. Ex Boyfriend Jem is stunningly well drawn – compulsive yet strangely sympathetic. Those three on their own could hold an entire novel but it doesnt stop there. As Luke tracks down witnesses, gets help from unexpected quarters, follows the trail towards the guilt or innocence of Joss Grand in the murder of his friend, you will barely be able to look away. This one is not about the result…its about the journey. And what an amazing journey it was.

The sense of an era is captured here beautifully, alongside an updated and colourful look at Brighton in the present day, I’d live there in an instant – add to that a resourceful, imaginative and creative story with some truly truly fascinating characters and this one comes HIGHLY recommended from me.

The whole thing had me turning pages late into the night, I turned away from it for a while yesterday, I did NOT want to finish it, at the same time, I needed to KNOW…so this morning in a glorious hour of locking the world out I sadly came to the end…and now the long wait begins again for another offering from an author who is right up there solidly now in my top ten of must read novelists.

Read it. Live it. Love it.

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M R Carey talks The Girl With All The Gifts. A reminder of why I read.


I did have a bit of a fangirl moment when Mr Carey agreed to answer some questions for me it has to be said – The Girl with all The Gifts was an amazing read (you can find my review in a while) and one of a couple of books I’ve read lately that reminded me why I love to read in the first place, all reviewing aside. So here is what he had to tell me.


Tell us a little about how the story came into focus for you.

It started out fairly traumatically.  I’d committed to producing a short story for an anthology of dark fantasy and horror on the theme of “school days”.  Charlaine Harris and Toni Kelner were editing, and I’d had to back out of their previous collection because of time problems, so I was determined not to miss the boat again.

But having said I’d do it, I couldn’t come up with a single workable idea.  The deadline started to loom, and everything that came into my head was sort of a grimdark Harry Potter riff – not the slightest bit original, and not appealing either.

Then I woke up one morning with the idea of Melanie in my mind.  There was no story, to start with – there was just her.  This little girl sitting in a classroom, writing an essay about what she was going to do when she grew up.  Only that was never going to happen because she was already dead and didn’t know it.

Everything flowed from that first image, and it flowed really quickly.  I wrote the short story, Iphigenia In Aulis, in four days, and for two of those I was in Norway for a comics convention.  It was one of those rare situations where the story obsesses you so much that you use every spare moment to write some more of it down.  I was sneaking away to the hotel room in between panels to add a few more paragraphs, and writing in bed before I got up to shower.

And once the short was done, I had the very strong feeling that the story wasn’t.  I persuaded my editors at Orbit to vary out my contract so I could write The Girl With All the Gifts.  Fortunately they were really flexible and helpful.  Of course, it helped that they were sold on the story.
How difficult is it to put a new spin on a popular type of fiction ?


It’s both difficult and nebulous.  Sometimes you think you’re doing something that’s new and fresh, but then when you read it back you discover that it’s really not.

And of course the genre changes under you, because other works are being published all the time.  Early readers of The Girl With All the Gifts started to compare it to Justin Cronin’s The Passage, which I hadn’t read and hadn’t been aware of, and I was scared for a while that I’d made a blind jump into a rolling bandwagon.  Then I read The Passage, which I loved, and realised that it was okay.  There are definitely thematic and tonal parallels, but we’re not doing the same thing.

It’s really noticeable now that we’re entering a new, secondary phase of zombie fictions – where the zombie apocalypse is backdrop and the core situation is something else.  The Scandinavian short The Unliving by Hugo Lilja would be a good example.  And I assume this movie that Arnie Schwarzenegger is working on, Maggie, would be another.  But when I was writing that wasn’t really in my mind.  If I was inspired by any other existing work, it was that moment at the start of Land Of the Dead where the zombie musicians are trying to play their instruments.  The human mind trying to break free of the meat and find itself.
Will there be any more novels set in this world?


I don’t have any plans to write a sequel – but there is a sequel to be written.  It would just be such a different book, in tone and even in genre, that I’d need to think long and hard about how to approach it.  The protagonist would be a human child adopted by type two zombies and growing up among them.  That would be a really poignant situation, I think, but I have no idea yet where I’d go with it.
Do you have a personal favourite character from the book?


Well Melanie was the most fun to write!  The main aim of using the present tense and the slightly staccato, declarative style was to portray the world as a ten-year-old girl – bright but massively ignorant on most topics – might see it.  I loved working the changes, once they were all on their journey; showing how the balance of power shifts and how Melanie’s relationship with all the adults has to shift with it.

Sergeant Parks was also a favourite, in a very different way.  The short story ends with Melanie and Parks reaching a sort of grudging respect as they prepare to fight and die back-to-back as the base falls.  I wanted there to be an analogue for that moment in the novel, too, and it took me a long time to figure out what it would be.  That moment when they’re talking after the fire and he asks one last favour of her – it felt very right.


As a writer of comic books, novels and films do you prefer one in particular or are you in love with all 3?


I wouldn’t say I have a preference, but it’s felt recently as though my centre of gravity has been shifting.  For a long time, comics felt like my real job.  I was a comics writer who sometimes dabbled in other media.  Then prose fiction became a bigger and bigger part of my professional life and my imaginative life, and I thought of myself as a comics writer and a writer of prose.  And last year, very much to my surprise, I started to think of myself as a screenwriter too.  I mean, in the sense that I didn’t feel like I was faking it any more – I felt like I was really doing it.


The truth is, though, working in different media is an amazing blessing and an amazing opportunity.  It doesn’t come easily, but I think it ensures that you keep experimenting.  You don’t stay within your comfort zone quite so much, because you’re constantly putting one point of view down and picking up another.
Last book you read that stayed with you


NOS4R2, by Joe Hill.  I’ve loved pretty much everything Hill has written, barring maybe one or two of the short stories, but NOS4R2 felt like something totally new and totally enthralling.  Epic fantasy has been with us for a long time: epic horror takes some doing.
3 people dead or alive you would like to go for a drink with.


Mervyn Peake, Ursula LeGuin and the aforementioned Joe Hill.


Thank you so much!



Melanie is a very special girl. Dr Caldwell calls her ‘our little genius’. Every morning, Melanie waits in her cell to be collected for class. When they come for her, Sergeant keeps his gun pointing at her while two of his people strap her into the wheelchair. She thinks they don’t like her. She jokes that she won’t bite, but they don’t laugh. Melanie loves school. She loves learning about spelling and sums and the world outside the classroom and the children’s cells. She tells her favourite teacher all the things she’ll do when she grows up. Melanie doesn’t know why this makes Miss Justineau look sad.

So. Mr Carey. I have been waiting for another book in another series, some folks will know what I mean, but I thought hey, this one will do to be going on with. Especially when good blogger friend Kate waxed lyrical about it and told me I must read it. Frankly it wasnt a hard sell..

This is an INCREDIBLY difficult book to review without spoilers – I had no idea why Melanie was so special going in, and I’m not going to tell you either, but special she is. And not just because this is a clever, fascinating, addictive story about – ha see you nearly had me – its about THINGS OCCURRING –  but because she is ridiculously easy to love, so well written is she. In fact all of the characters pop right off the page for one reason or another.You will either want to protect them with your life or shoot them in the head. Often with no inbetween.

Its a horror story. But not really. Its a fantasy. But then, no not really. There is certainly love there. And loss. And some stand out scene setting. And a heck of a lot of jaw dropping moments. And don’t start reading it just before bed time. You won’t sleep. For various reasons…not all of which will have to do with how eager you are to find out what happens.

When I read a book like this it reminds me why I love to read. Utterly compelling, taking you away from the madness of the real world and into the madness of another…offering a new twist on a popular theme and getting you right at the heart. RIGHT at the heart. Its only the end of January but I would be MOST surprised if this one doesnt end up in my top 5 of the year. And trust me, choosing last years top 5 was hard enough..

And a note for Mr Carey: Yes. I did. VERY much. Almost perfect. And if you are reading this – I’ll have more like this please. AND more of the other. You will certainly know what I mean.

PLEASE be careful which reviews you read of this one before you dive in my reading friends. It really is best arrived at with a beautiful blissful ignorance.

Highly Recommended. HIGHLY.

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Alex Marwood, Some Wicked Girls and The Killer Next Door…


So I caught up with the lovely Alex Marwood again recently and, you know, asked her stuff about her two terrific books – it turns out that Stephen King kind of likes them as well. I always said he had good taste…

Here is what she had to tell me.

Let’s start with The Wicked Girls – was there a real life case that was the inspiration?


Well… obviously all books start somewhere. The Wicked Girls had been floating around my head since I saw Heavenly Creatures in the 1990s. The reason that film stayed with one was the awful questions about what happened to those girls afterward. But obviously, you can’t write a book like this without at least thinking about Thompson and Venables and Mary Bell, our most well-known – but by no means our only – child killers. The persecution of Christopher Jefferies was going on while I was writing it, though, and certainly fed into the story a lot.

How much did your experiences as a Journalist influence how the media was portrayed in the novel?



A great deal, of course – but also, honestly, my experiences as a consumer of journalism and friends’ experiences as its subject. Some awful injustices get done by the press, particularly in the rush to produce copy in a 24/7 world. But the vast majority of journalists are thoroughly decent people. And people forget that they are just that – people, asking questions and trying to piece together the truth, so that their readers don’t have to. News journalism is produced with little or no leisure to think; it’s almost inevitable, given the known unreliability of human recall, that things will be recorded wrongly. That said, I have been shocked over the years by the difference between the court reporting. for instance, that comes down the news wires and the ‘story’ as it is written up in certain of your papers. it’s like seeing two different, not even parallel, universes.

Did it give you pause to consider how we handle crime committed by children?


Of course. Though, of course, one of the reasons that Thompson and Venables remain so notorious is that the rules about anonymity for children were changed after their trial because the media feeding frenzy was so shocking. The fact that they were basically the last child killers to be named in the papers rather skews people’s picture of how common or uncommon the phenomenon actually is.

Moving on to “The Killer Next Door”, a very different but equally compelling novel – tell us a little about where the story came from.


Loosely – very loosely indeed – from the cases of Dennis Nilsen and Jeffrey Dahmer. Both were living in overcrowded circumstances, cheek by jowl with their neighbours, and yet no-one had the remotest suspicion of the things they were up to. I wanted to explore that: how you could share a house with a serial killer and not notice.

Are any of the characters based on people you know?


Yes and no. All characters in all books have roots in things and people we know or have encountered. Vesta was a partly based a friend who died a few years ago, whom I still think about. Hossein’s name, and a little bit of his situation, comes from a current friend, but a lot of him doesn’t.
And I HAVE to ask this one – do you have a favourite from the eclectic mix of “neighbours”?


Oh, gosh, Cher, probably. There’s a lot of me as a teenager in her, so that’s probably a horribly narcissistic thing to say! And Vesta. Vesta’s just – I love the way she’s learned all the things politicians like to lecture us about, like tolerance and prejudice open-mindedness, simply through living her static, small existence in a London suburb. London’s full of old ladies like that. They’re brilliant, and don’t miss a trick.

Can you tell us anything about your next project? (I can hear Hannah Beckerman laughing at me as I type THAT one out!)


Erm… I wish I could tell myself more about it, frankly! It’s another sins of the past coming back to stir up the present yarn, based around a massive multi-spouse family. Just drawing up the family tree made me feel sick. I really don’t like to make my own life easy!
Book you wish you had written.

Gone Girl
Favourite place to read.


Bath (and yes, I use my Kindle – bless you, Ziploc!)

Something you wish you were good at but are not.


Running. I have the fatal combination of huge knockers and hypermobile joints, so any attempts I make to do it always make me look a bit like a windmill.


Thank you so much for taking the time!



The Wicked Girls.

“The Wicked Girls” is an interesting book – when you start to read it you are kind of expecting a fairly straightforward murder mystery with perhaps the small twist being the fact that the main characters themselves committed a murder. What you actually get is a pretty darn good social comment on child murderers, their reintegration into society and the endless ways that those “outside” of the case can view the “criminals”. (Trying not to give away any plot details here, its important to come at this story with minimal knowledge in my opinion). Set against a backdrop of a serial killer haunting a small seaside town, it tells the tale of Jade and Bel, two women who in their youth were imprisoned for a horrendous crime. Now living back in society as a cleaner and a Journalist respectively, their worlds collide again during the events of the main portion of the book. Told in real time and flashback, you get a real sense of place and a feeling for the realities of their situation, both then and now. Cleverly written to keep you guessing, and without need to resort to cliche, I thought this was a terrific story and certainly the resolution of the tale gave pause for thought. Excellent.


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The Killer Next Door.

No. 23 has a secret. In this gloomy, bedsit-riddled South London wreck, lorded over by a lecherous landlord, a horrifying collection quietly waits to be discovered. Yet all six residents have something to hide.

Impressive. Yes ok, this is crime fiction. There is a mystery and things to discover here, but for me this was mostly a character driven novel – and a rather addictive one at that.

Within the walls of number 23, an eclectic cast of characters hang their hats – all hiding out from the world for one reason or another and all incredibly well drawn, I was immediately fascinated by every one of them.

From the very beginning Alex Marwood hooks you. Cher, teenage runaway, is interviewed at the police station, giving her statement about a recent gruesome discovery – then we are thrown back in time to start meeting the people involved…the residents of No 23. Knowing that doom is approaching for at least one, this is a book you may shout at. “No”. “Don’t do that”. “RUN RUN!”…and yet you are never entirely sure whether you are directing your advice at the right people..clever. Love it.

Putting that side of it away for a moment – the more frightening part if you like – you can also look at this story as a soundbite from life. Cher, teenager, thief, but also someone you would want on your side. Collette, hiding from danger not realising that she faces far worse in her chosen sanctuary, Vesta, pensioner, is mother and confidante to all. Then you have a handome asylum seeker Hossein, the lonely Thomas and the musically minded Gerard, all watched over by the repugnant landlord Preece. Different views, different lives, all tied together by their mutual living space, you could easily read this as a cautionary tale of the ups and downs of life…and somewhere in that marvellous mix a killer lurks…hiding in plain sight.

From start to finish this is a terrific page turner, a look at the dark heart that lurks in us all and a compelling, often emotional, always refreshing tale of humanity.

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Happy Reading Folks!


Liz Currently Loves…Dodger by James Benmore.



So I recently read “Dodger” by James Benmore – review to follow – but first I tracked him down to find out some more about the novel as well as some other things and here is what he had to tell me.


How did it start for you, this road of bringing the Artful Dodger back to life?


The Artful Dodger is one of my favourite characters in all fiction and I’ve always been interested to know what his continuing adventures might be like. The scene in Oliver Twist in which Jack Dawkins is up in court for stealing a silver snuff box and proceeds to give the magistrate and the arresting officer nothing but lip is a great example of the comic exuberance that Dickens was such a master of. That said, I’ve often been disappointed that we never saw the irrepressible boy thief again after that. He’s packed off to Australia for six years and Dickens never even tells us what became of him. Soon after he leaves England the rest of his criminal community – Fagin, Nancy, Sikes, etc, are all destroyed in horrible ways and I wondered what it would be like for him to return home and discover that. I imagined that he would be furious with Oliver Twist for bringing about those events and this thought was the one that really inspired my novel. I don’t just want to tell his story but I also wanted to tell it from his point of view.

Do you have a favourite original character from “Dodger”?

That would definitely be Warrigal, the aborigine who returns with Dodger from his time in Australia and is fraudulently posing as his colonial valet. He’s the dark shadow to Jack throughout the book, following him silently throughout his journey and his motives are mysterious. I liked writing him because he’s the opposite of Jack in many ways. Jack never stops talking but Warrigal communicates largely through behaviour. Jack is a thief but Warrigal – he is told – is a killer. But Warrigal became more of a moral character as I continued to write him because he doesn’t lie and has a greater sense of honour than Jack does.


Are you a Dickens fan generally?

Hugely. There are few writers I admire more. It was a great honour for me last year when I was asked to be writer-in-residence at Gad’s Hill School in Rochester, Kent which was his former home. The best part of my first visit was when the Head of English took me into his old study – the one from all those illustrations – and I saw a copy of Dodger there on the shelves. I hope the ghost of Dickens isn’t too disgusted by my impertinence in writing it. I have visions of it being found lying on the floor on the office every morning after he’s tossed it across the room.


Can you tell us what’s next for Dodger and friends?


The sequel to the book is called Dodger of the Dials and is out in June. Its two years later and Jack is now running his small criminal gang from the Seven Dials vicinity in London and trying to approach the criminal life in a more professional way. He’s a burglar to order and he gets hired to steal particular items from particular properties. This, as you can imagine, gets him into all sorts of trouble.


Desert Island Book


If I was stuck on a desert island I would want a fat classic to keep me company. I’ve always been interested in Don Quixote by Cervantes but its so massive that its just sat on my book shelf gathering dust for years. Perhaps on a desert island I would finally get around to reading it.


Something you wish you were good at but are not


Poetry. I love reading it and hearing it but when it comes to writing it myself I get paralysed. I’m a very self-conscious poet and the only time I’ve ever really tried was as part of a writing course. I’m much more comfortable telling stories.


What would be your dream job not involving writing


I’d like a job that pays a lot of money for very little effort. If you hear of anything then do let me know.


No 1 item on your bucket list


I’ve always wanted a red metal bucket with the word FIRE on in white letters. The sort that clowns use when they are pretending to be firemen. Have I misunderstood the question?

Ha! Thanks James!



London, 1850s.

After five years in an Australian penal colony, the Artful Dodger returns to London in search of a hidden fortune. Unaware of the fate that befell Twist, Fagin and Sikes, Dodger revisits the criminal underworld of Dickensian London to seek out his old comrades, any of whom might possess the key to the treasure.

I had my eye on this one for a while before I actually read it – I’m not a huge Dickens fan (Oliver Twist and A Tale of Two Cities being the two I loved)  but one of his characters I always adored was The Artful Dodger. So I wavered between not wanting that character spoiled for me but also extremely intrigued to see what a new writer could do.

Well I loved it. Pretty much perfectly done I would say. Still capturing the ambience and feel of the times, giving Dodger new heart and voice then sending us on a rollicking adventure all around the streets of London and beyond, this was the most fun I’d had with a novel in a long long time.

A “treasure hunt” of a tale, this expands beautifully on Mr Dickens original mythology, giving extra heart to Fagin’s kitchen, a well imagined expansion of some well loved characters and introduces us to some new ones all of whom are extremely well drawn. Oh I did love Warrigal, and there is also a most terrifically villainous villain to boot. It is addictive, humerous, fascinating and most of all, fun to read.

Not that I presume to speak for long gone authors, but I’m fairly convinced Mr Dickens would approve. As a reader I certainly approve – another adventure awaits in “Dodger of the Dials” coming later this year and I will be the very first in line. No doubt about it.

Highly Recommended.

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Cherringham – A Mystery for every month of the Year – Author Interview.


The latest instalment of the Cherringham mysteries is now available – Murder by Moonlight – and I was lucky enough to get co-authors Neil Richards and Matthew Costello to answer a few questions for me on writing together and other interesting titbits – here is what they had to tell me.


What gave you the idea to write a series together?

Matthew: Neil had been talking to people at Bastei Luebbe who wanted to create an episodic cosy mystery series, set in the UK. We on our own had been discussing a different kind of sleuthing ‘team’, so as talks went along we started to work on a small outline of what would become Cherringham, anchored by the fact that the team would be the retired NYPD detective, Jack Brennan, working with single mum, Sarah Edwards.

Neil : Matt and I have worked together as TV writers since the late 90’s and even from the beginning we’ve been looking for a format which takes advantage of my UK background and his life-long knowledge of New York. We wrote a YA novel together last year and realised that we could use the same writing processes we developed for TV in the world of mystery crime novels.

A lot of people are interested in how it works – do you each write for separate characters and/or parts of the plot? Chapter by chapter?

Matthew: Ideally, and when we can, we brainstorm ideas in person, snippets really, of what would make a good mystery.

Then — again best face to face — we begin to zero in on those that most interest us and seem to best fit the Cherringham world. The outlines have been fairly detailed, though writing does change everything. But that level of detail allows us to swap pages back and forth., usually after 25-30 or so. We edit each other before hitting new pages. And in a month’s time—you have a new Cherringham mystery!

Neil: Sometimes we have to make do with Skype. But for Cherringham we’ve rented cottages in the Cotswolds for a week at a time and spent full-on days building the world, finding the characters, looking for story ideas etc. It’s vital that we both ‘see’ the same world. In fact, our fictional Cherringham has become so detailed that we’ve had to create a street map for the village marked with characters (80 so far and counting) plus unfortunate victims of course…

Are you fans of cosy mysteries yourself – or perhaps Agatha Christie?

Matthew: I just gave a speech on the series aboard Queen Victoria (where we arrive at Easter island tomorrow)…and someone asked that very question. Before I began writing, I devoured everything. I had my favourite genres….horror, suspense, SF…. but loved Holmes, Agatha Christie, Dorothy Sayers, and a host of other mystery writers.

With my first novels, I was pulled into what seemed like a best fit for me, suspense and horror—which is a very different style. But this collaboration has allowed me to play with Neil in a world, and with a tone and voce, that I love.

Neil : I grew up in a house full of books – and my parents were both lovers of crime fiction. So I’ve inherited shelves of green Penguins. Many of those great mystery writers were my first adult fiction – and since then I’ve also become an inveterate crime and thriller reader. Before embarking on this series I went back into some of those classics – Josephine Tey, Margery Allingham, Ngaio Marsh etc. And of course Agatha Christie.  I’m avoiding contemporary cosies – I really don’t want to steal someone’s plot by mistake!

Is there a lot of future planning involved for Jack and Sarah or is it more organic?

Matthew: Think I hit this a bit above…we have a host of possible mysteries. We are currently finishing #6, and number 7 has a pretty solid outline. But should the series continue, or even morph into full-length novels, we have a lot of ideas. And like a lot of reviewers and readers, we’ve grown to love our characters, the village and of course the mysteries!

Neil: Yes, as Matt says – we’ve fallen in love with the world and the characters.  In our first week of planning we came up with around 30 plots.  And – this is something we learned in TV – if the stories come thick and fast then you can really tell that the architecture of the world is solid.
It would make a great TV series – if you could cast it who would you give the lead roles to?

Matthew: I might be telling tales out of school, but for Jack Brennan, Tom Selleck would be perfect. You can ‘hear’ him saying Jack’s lines. For Sarah—I would defer to Neil (in my mind I see a younger Emma Thompson…) Perhaps Kate Winslet?

Neil : I feel I really know Sarah the single mum, whose real-life obstacles will be familiar to anyone who’s got teenage kids (I have two!). Matt’s right about Kate Winslet – she is about the right age. But I’d rather stay out of the casting game – I’m happy for the Sarah in my head to remain anonymous!
Favourite author/comfort reading.

Matthew: After devouring all genres, all the great authors, I have become a rather committed reader of non-fiction. I think (or believe) this is because when I read fiction…it draws me back to my own work, problems unsolved, plot points needed…and then there’s the matter of comparing the writing (mine versus whoever)…and suddenly, it’s definitely not r&r.

So for me, history, biography…current amazing and string recommendation, The Trip to Echo Spring,  by Olivia Laing, a book on the lives of some of America’s most important writers (Hemingway, Fitzgerald, etc) and their relationship to drinking. The tales are incredible, the insights marvellous…and the author’s writing is so clear and powerful. Best book I’ve read in a long time.

Neil : Well, I’ve worked my way through Scandi-crime (I fell in love with Wallander years ago)… If there’s a Jack Reacher at the airport that I haven’t read I’ll definitely grab it. I absolutely love the works of Alan Furst. Right now I’m in the middle of Pat Barker’s Regeneration Trilogy, triggered by the current WW1 anniversaries – serious bed-time reading to stop my wife telling me that all I ever read are thrillers…

Dream job if you were not a writer.

Matthew: Gee. I have been a teacher, which I loved. And I could still love it. Kids, not adults. They are a gift to work with.

Neil : I’ve had a spell as a university teacher. I do like mentoring – especially to do with my first love, movie screenwriting.  Should have been an actor? Would love to be a director…

Favourite thing to do on a lazy Sunday.

Matthew: On each and every Sunday, my wife and I run a program, gratis, where we have been trained to help family members deal with their loved ones who have mental illness. (For information see;

Not exactly relaxing, but to help people in a world where such help is rare….that is another gift. Then home to a yummy lunch (I cook!), shovel snow (that’s all it does in NYC anymore!), play a round of one of my miniature wargames (shh…don’t tell anyone) then, as the sun sets, like our hero Jack, a pre-dinner martini with my wife.

Having written the above, does not sound like such a bad way…to spend a Sunday.

Neil: I’m terrible at taking time off.  Takes at least a week on holiday before I stop urging the family not to get up early and go off to ‘see things’.  Just have to be active – the result of doing a job which involves sitting at a keyboard for long days.

So I guess I’d start with a run (I’m so lucky, living in the New Forest that I have my own deserted trails to run), long bath, ALL the Sunday papers… Better still all the family would be home (my eldest is now off at uni) so a busy lunch then a walk (if I can drag the mob with me) then Sunday roast. Like Matt, I’m the cook in the family – we’re very careful when we cook for each other, I can tell you!

Murder By Moonlight – Episode Three. Review.


Just two weeks to go before the Cherringham Charity Christmas Concert. Choir rehearsals are in full swing. Then the worst thing happens: Kirsty Kimball, one of the singers, is found dead from a severe allergic reaction to one of the home-made rehearsal cakes. Jack is pulled in to help bolster the depleted choir – and soon he’s convinced that Kirsty’s death was no accident. Sarah agrees, and quickly the two of them are immersed in the jealousies, rivalries and passions of Cherringham’s Rotary Club choir …

Another adventure for Jack and Sarah and I have to say these get better and better – mainly I think because the more I read, the more I come to love the characters. Extremely well drawn and feeling more and more like real people as we go, I can easily imagine them in the Cherringham setting, chasing down clues and discovering hidden secrets. This time murder by cake it seems, which certainly appealed to me!

Each new instalment brings us a lovely little mystery to solve and develops the setting and the people beautifully – I’m actually becoming more of a fan of this “series” idea as we go, even  though I was sceptical at first, usually wanting a longer read. These really are perfect to pick up on a Sunday afternoon or on a train journey when you want a complete reading experience in a shorter amount of time.

Perfect little chunks of reading joy, I would certainly recommend them and look forward to Part 4.

Oh and as an aside – Kate Winslett and Tom Selleck. Exactly who I had in my head. I can’t help it…

You can follow Neil on Twitter here:

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Happy Reading Folks!

Liz Currently Loves….Elizabeth Is Missing by Emma Healey.


Coming June 5th From Penguin.

Thank you for the advanced copy via Netgalley.

Maud’s been getting forgetful. She keeps buying peach slices when she has a cupboard full, forgets to drink the cups of tea she’s made and writes notes to remind herself of things. But Maud is determined to discover what has happened to her friend, Elizabeth, because Elizabeth is missing..

I seem to have done something without realising it at the time and that is to read a few books all in a row that use memory as a tool to tell a story. I recently re-read the magnificent “Before I go to Sleep” by S J Watson and just after that Emma Chapman’s “How to be a Good Wife”. Both very different books, looking at memory in very different ways and both utterly compelling.

Now here we have “Elizabeth is Missing” where again, how our memory works is at the heart of the story and again with another twist and completely and utterly compelling. Maud suffers from dementia, she is forgetful, has to write herself notes to keep up with her own life and often stumbles in her quest to do the simplest things. Watched over by carers and by her daughter, despite her ups and downs, she keeps insisting that Elizabeth is missing. This is extremely frustrating to those around her but even more, one would imagine, to Maud as she keeps losing the threads of her discoveries, but always ends up at the same place. No matter what anyone else says – Elizabeth IS missing. So is she?

There are two sides to this novel  – the mystery element – where is Elizabeth and is she actually missing and the more emotional raw side when it comes to issues of age and memory loss . Told entirely by Maud we see how her mind works – or doesnt – and it is both sad and yet extraordinarily addictive reading. As she flits from one thought to another a picture emerges – of her life growing up, things that affected her, and how much more clearly she remembers her past in comparison to her present. As she writes more and more little notes about the things she needs to remember, then forgets what the note meant in the first place, its heartbreaking and fascinating all at the same time. Beautifully done with a realistic touch and cleverly written so that you can feel not only Maud’s frustration but that of those around her, this really is the most amazing read.

Memory is a strange thing. Never stranger than when it isnt working as it should. And as a basis for a heartbreaking, emotional rollercoaster of a reading experience it is brilliant. And used to stunning effect here in what I am sure will be one of the debut’s of the year.

Highly Recommended.

Happy Reading Folks!




The People in the Photo – Interview with Helene Gestern.


Hélène Gestern was born in 1971. She teaches and researches in the field of linguistics at CNRS and sits on the editorial committee of a literary review dedicated to autobiographical writing. Her first novel, The People in the Photo, won more than 20 literary awards and draws upon, among other things, her interests in photography and cats. She lives and works in Nancy.

Recently I read the magnificent “The People in the Photo” from author Helene Gestern, translated by Emily Boyce and Ros Schwartz. It was a wonderful emotional story. I was lucky enough to be able to ask her a few questions recently and here is what she had to say.

The People in the Photo is a wonderful emotional story – was it inspired by an actual photograph or event?

The whole story is a fiction; except the description of Saint-Malo’s strand, pictures described in the novel are fictive. What is actual (some elements are) appear in the book after deep transposition.
The characters go on an amazing life affirming journey – for you, was it very much a tale of redemption?

I don’t think in terms of redemption: the word would suggest that the main characters, Hélène and Stéphane, have committed a fault, and they haven’t. What they attempt together, step by step, is to understand why their respective families have chosen to keep so heavy secrets; but mainly to accept their parents’ past without blaming them. Although some revelations are painful, they will also learn to love, maybe in a different way, these two persons they knew so briefly or so few. When I’m asked what The People in the Photo is about, I sometimes answer that its main issue is indulgence.
Does the concept of how past events can influence and affect our present intrigue you?

Certainly. Our family history is a legacy, and it can be poisoned by ancient tragedies, silences, mistakes… I read many autobiographies and I’m struck by the endless same dialectic: parents who want to shelter children by hiding the darkest part of their own history, and children suffering, sometimes deeply, because of this silence. Nevertheless, everyone is right, because there is no rule, no “good way” to deal with a painful past, and one can understand that some things can’t be told as easily. That’s why I found it relevant to introduce two characters seeking their parents’ history, not as victims of sort of generational fate, but as free adults: they also have to make their own decision about the place they want to attach to these unveiled in their memory. That encompasses the decision to refuse the worst part of this legacy.
Do you have a favourite character from the book?

Sylvia. She’s a really loving and good person and she takes care of Hélène as if the child was her own daughter. She’s very lucid about her own mistakes, but she prefers turning into life and try to make people as happy as possible around her.


Can you tell us anything about your next project?

The book I’m now working on deals again with a picture, but a in a very different way. It tells the story of two friends wounded in an accident; they are “snapped” at this moment by a paparazzi. The aftermaths of this picture’s publication (especially on internet) are so serious that they are forced to elaborate a counterattack. The story is a reflexion about the internet and its ability to destroy private life: do we have any power against it?


Thank you so much to Helene for taking the time.


Translated from the French by: Emily Boyce and Ros Schwartz

Thank you to Gallic for the lovely surprise of a copy of this book in the post.

The three figures in the photograph are frozen forever, two men and a woman bathed in sunlight . . .

The chance discovery of a newspaper image from 1971 sets two people on the path to learning the disturbing truth about their parents’ pasts.

Helene Hivert discovers a photograph of her mother, a woman she knows little about, and advertises for information about the two men pictured with her – so starts a correspondence with Stephane Crusten, and a journey of discovery. As the two start to piece together the past, painful possibilities arise.

This is classic, beautiful storytelling – a tale of family secrets and age old dilemma’s coming to light in a compelling, sometimes sad, perfectly paced novel. Written with a rich, evocative prose and giving voice to two elegantly drawn people who are seeking answers about their childhoods and their parentage, Ms Gestern breathes life and soul into her characters as the people in the photo come to life.

Told via letters between Helene and Stephane, interspersed with descriptive chapters of other discovered photo’s, we follow avidly in their wake as they begin to learn more about their history and where they have come from. Each newly discovered nugget leads on to the next – like a literary game of pass the parcel, each layer reveals another and another until finally the gift of full disclosure emerges. At turns fascinating, heartbreaking, passionate and astonishing, this one will touch your reading soul.

It may bring a tear to your eye – it did to mine- ultimately this was that very wonderful thing, an absolutely fulfilling reading experience. Exquisite and inspiring.

My thanks to the translators without whom I may never have read this story – an outstanding job.

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Happy Publication Day – The Dead Wifes Handbook by Hannah Beckerman

18623494Hannah website profile

So I was lucky enough to read the amazing “The Dead Wifes Handbook” in advance of its release today, a wonderful story of love, loss and moving on.Hannah was kind enough to answer a few questions for me – Review to follow but first here is what she had to tell me.

What inspired you to write a story of loss from such a unique perspective?

A friend had been discussing with me her feelings about her ex-husband starting a new relationship: her fears and vulnerabilities about secrets of hers that he might share with his new partner. I suspected it was something that a lot of us might feel unnerved by and as I thought about it more, it struck me that the most extreme version of that is when you die. And then I got to thinking about how you might feel if you could actually watch the evolution of your ex-partner’s new relationship but be powerless to intervene. Hence the dead wife came into being.

Did you find yourself getting emotional while you were writing?

It’s probably not the done thing to acknowledge that your own writing makes you cry, but yes! There were some mornings when I’d be up early writing and by the time my husband came into the study I’d be in tears. When I’m in the midst of writing, I do feel like the characters are real people I care about: so I’m sad when they’re sad and happy when they are. It does mean you get through quite a lot of tissues.

Apart from Rachel, did you have a favourite character or one that resonated with you?

I rather love all three of the lead female characters: Rachel, Eve and Harriet. I think they’ve all got their strengths (and weaknesses) and I suspect there’s a little bit of me in all of them.  I think Harriet’s pragmatism and sheer force of character are really refreshing (although I suspect she’s not everyone’s idea of a best friend!) and I love Eve’s vulnerability and generosity. And I feel incredible empathy with Rachel’s mum, Celia, too. She was actually a much less significant character in early drafts but after I had my daughter and started to imagine what it might be like to lose a child, her role and voice in the story became much more important.

Can you tell us anything about your next project?

Oh, Liz, you always ask everyone that and the answer is always the same! It’s under wraps at the moment – I’m just working on edits right now – but as soon as I’m ready to share it, I promise you’ll be the first to know. Well, one of the first…


Desert Island book

American Pastoral by Philip Roth.

One book you wish you had written

The Golden Notebook by Doris Lessing.

First thing you would rescue apart from pets and family from a burning building

Not the most poetic of answers but my hard-drive – it’s got all my photos on (and I take a LOT of photos) and everything I’ve ever written. It’s one of the only truly irreplaceable things I own.

Something you wish you were good at but are not.

Sleeping. The upside to insomnia (reading a lot of books) has a limited shelf life. To be able to sleep for 6 hours straight would revolutionise my life.


Thank you so much Hannah!


‘Today is my death anniversary. A year ago today I was still alive.’As Rachel grieves for the life she’s lost and the life she’ll never lead, she learns that sometimes the thing that breaks your heart might be the very thing you hope for.

I had been looking forward to this one, something slightly out of my “comfort” zone but one that sounded like it might end up being quite beautiful in the right hands and that was exactly how it turned out.

We follow along with Rachel, who died suddenly and unexpectedly from a heart problem, as she is allowed glimpses into the lives of the people she left behind..and in this creatively imagined way we ourselves catch a glimpse into the very real stages of grief. It is a gorgeous heartwarming tale, often bringing a tear to my eye…at the same time being full of a rather hopeful cathartic feel as all concerned come to terms with tragedy.

It is quite difficult to put into words how emotive this one was for me – so I’ll try and use my own perspective to give you an insight. I lost my Father when I was very young (not nearly as young as Ellie but far too young none the less) so it was easy for me to identify with her and understand what she was going through…and indeed what Max was going through as he tried to help her and himself. Then I am a mother of children similarly aged to Ellie – the very thought of not being around to see them through their childhood is horrific. Any mother will feel the same and will therefore be able to relate to Rachel, looking down occasionally but being unable to take back what was lost.

This novel captures the sense of so many things – love, loss, friendship, sadness, and hope..and how all things move forward over time. A tale of grief told from a unique perspective, beautifully written, heartfelt and impassioned, this one will have you reaching for the tissues..some of those tears will be happy ones. Most of all this is about love…and how sometimes that means letting go…

Highly Recommended.

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